Why the Exile of Kate Smith is the Ultimate in Duplicity

Why the Exile of Kate Smith is the Ultimate in Duplicity

[Note: Typically I link my writings directly to the publication to read. This week over at The Daily Times, I covered the Kate Smith saga, but since there is a paywall, have included the piece in its entirety below for non-subscribers as I think it raises some important points.]

The eradication of Kate Smith and her revered version of “God Bless America” by the New York Yankees and Flyers – the latter who went so far as to cloak a team-dedicated statue of the singer in black before moving the structure – is the very essence of hypocrisy.

No matter which side you are on, it has to be acknowledged there is a serious double standard in place, one that is convenient for multicultural inclusiveness on one hand, yet utterly ignorant on the other. Because, if Kate Smith is going to be banned, then a long, hard look needs to be taken at The Rolling Stones, Led Zeppelin and Guns N’ Roses – just to name a few.

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Havin’ it in Toronto

One of the musical acts I’ve been into for a couple years now is Sleaford Mods, an inventive duo out of England. Stripped down, it’s observational punk hip-hop with frontman Jason Williamson spouting off about working class struggles with a mixture of humor, anger and disbelief backed by the laptop created beats from Andrew Fearn. It’s brilliant. Iggy Pop himself has dubbed them, “The world’s greatest rock and roll band.”

Sleaford Mods: Iceland Airwaves ’15

I caught Sleaford Mods at Iceland Airwaves 2015, and despite the guys themselves being unhappy with the gig for a variety of reasons, it was one of the best times I’ve had at the festival since I started going each year.

Afterward, I got the chance to meet and talk with Fearn, who immediately enthused how my mate and I Rich were “havin’ it.” We were right up front, bouncing about and I, for one, was yelling out the lyrics to every song and Fearn was as entertained by us as we were by him.

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